Yet these historic plays never felt like parody. Skintight black pants morphed into platform sneakers to evoke an 18th century legging, while the chunky footwear sported an arched sole in the spirit of old fashioned clogs.Д¬orset silhouettes perfectly captured this seasonвЂ™s mania with the bikini-style, while crisp collars felt part Elizabethan ruff, part space age. Guests sat around a futuristic, white oval runway to watch the looks, which were filmed live by a menacing black robot on wheels that followed models around.ДЄnachronism was everywhere in this 70-piece show, which frothed with the frills and flounce of yesteryear. Williams was on splendid form Sunday, putting a fashion forward twist on historical clothing. It still feels, however, as if there is some way to go before anyone can fill the shoes of longtime Lanvin designer and icon Alber Elbaz, who died last year.

One pastel gray gown had so many blue flower appliquГ©s that they actually spilled over, cross-pollinating onto the modelвЂ™s bare chest as stick-on brooches. Florals on an on-trend bikini top provided a stylish burst of color from beneath a vanilla suit jacket. It gave the spring musing a harder, urban edge. The first flower on the runway was in the form of an oversize bracelet then, as a print, blossoming in yellow, across a funky short-suit.ДЄ black and yellow blown-up flower print was ubiquitous - an image executed in blurred focus. Glistening sequined panels on chiffon dresses were drawn from a 1934 dress named вЂConcerto.вЂ™Д«ut it was when the vibrant blooms appeared that the real fun came out. Gently structured garments, which were crisp but moved fluidly, made sure the collection began with a minimalist mood.ДЇollowing that came the historic touches that are necessary for the heritage-conscious brand - the worldвЂ™s oldest continuously running fashion house.

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